NO COPYRIGHT INFRINGEMENT INTENDED. ♡ No copyright infringement intendedApoya a Avril Lavigne con su nuevo álbum en las plataformas oficiales.AQUÍ: https://a
Description "Hello Kitty" is a song by Canadian singer Avril Lavigne. It will be released as the fourth single from her fifth studio album Avril Lavigne in 2014. It was written by Lavigne, Chad Kroeger, David Hodges and Martin Johnson, while the song was produced by Kroeger, Hodges and additional production by Brandon Paddock and Kyle Moorman. Musically, "Hello Kitty" is a electro-pop song, featuring a dubstep-influenced drop. The song was influenced by her obsession with all things related to Hello Kitty. Background and composition Three months after the release of Goodbye Lullaby, Lavigne announced that work on her fifth studio album had already begun, with eight songs written so far. Lavigne stated that the album would musically be the opposite of Goodbye Lullaby, with a release date rumoured for sometime in 2012. Lavigne explained, "Goodbye Lullaby was more mellow, [but] the next one will be pop and more fun again. I already have a song that I know is going to be a single, I just need to re-record it!" It was written by Lavigne, Chad Kroeger, David Hodges and Martin Johnson, while the song was produced by Kroeger, Hodges and additional production by Brandon Paddock and Kyle Moorman.[3] The song was engineered by John Hanes, musical mixed by Serban Ghenea and additional programming was held by Paddick and Moorman.[3] In an interview, Lavigne said about her collaboration with Kroeger; "I have a song called [Hello Kitty], which I wrote about [Hello Kitty] because I'm obsessed, and it's a really fun thing that I've never done before. It kind of has a kind of glitchy, electronic feel to it and it's... the only one on the record that sounds like that. It's really different and a lot of my friends I've played it for really like it. I'm having a lot of fun with that one."[4] Lyrically, Lavigne told Digital Spy; "'Hello Kitty' was such an interesting topic and subject [...] It was really exciting for me. I didn't want it to sound like anything I'd done before. I wanted it to sound over the top so I ended up hiring a new producer to help me with it." She was later asked about the double meaning abut the song, to which she responded "Obviously it's flirtatious and somewhat sexual, but it's genuinely about my love for Hello Kitty as well."[5] Additionally, she said at MuchMusic "It's really fun [and] it's about a slumber party and loving the kitty."[6] Nick Catucci from Entertainment Weekly exclaimed "“Hello Kitty,†a dubstep track that seems to acknowledge its own tokenism by adopting a “J-Pop American Funtime Now!†sheen (and whose title may or may not enclose a double entendre that in any case I’d rather not entertain)".[7] Craig Manning from AbsoultePunk said "The biggest leap of faith is made on “Hello Kitty,†a trippy patchwork of EDM and pop that pays loving tribute to Lavigne’s sizable Japanese following."[8] Bradley Stern from Muumuse had discussed the song in an extended review, and explained; "“Hello Kitty†is an off-the-walls EDM-infused stomper. Conjuring Gwen Stefani‘s bouncy, Japanese-minded Love. Angel. Music. Baby (plus a Fashionable Dubstep Breakdown for good measure!), Avril lets her love affair for the beloved Japanese mascot go wild across pulsing beats and sputtering electronica as she shouts outs hilarious commands: “Like a fat kid on a pack of smarties / Someone chuck a cupcake at me!â€" He also referred Lavigne's nature towards the song as "insane".[9] Release info In promotion for the parent album, Lavigne hosted a hashtag on twitter called "#3daysuntilavrillavigne", to which a fan asked which song would she like to release as the album's fourth single, Lavigne replied: "Hello Kitty" or "Give You What You Like".[citation needed] In February 2014, Lavigne revealed that she would release two more songs, one of which would be "Hello Kitty" as an Asia-exclusive release and "Give You What You Like", as the album's fourth and fifth singles.[citation needed] Music video The music video for "Hello Kitty" was filmed in Japan and premiered on Lavigne's official website on 21 April 2014.[10] It was removed from her YouTube channel[11] amid criticism that it was culturally insensitive and lacked energy.[12][13] Although an official spokesperson stated that the song's video was never officially released and was stated to go live that Wednesday[14] It was reuploaded to her official VEVO/YouTube channel on 23 April.[15] Lavigne defended the video against allegations of racism toward Japanese people, stating: "I love Japanese culture and I spend half of my time in Japan. I flew to Tokyo to shoot this video...specifically for my Japanese fans, WITH my Japanese label, Japanese choreographers AND a Japanese director IN Japan."[16] Critical reception Nick Catucci from Entertainment Weekly called the song "weird", along with "Bad Girl".[7] Despite praising her "techno-pop" influence, Jason Lipshutz from Billboard felt that "it's a bold stab at a genre outside of Lavigne's oeuvre (here, dark-edged techno-pop), but it never comes together. By the 20th time "Hello Kitty, you're so pretty" is declared, the listener's attention is already on the next track."[2] Laurence Green from MusicOMH judged "trashy EDM moment Hello Kitty; laced with snatches of Japanese lingo, feels like a weird misstep more suited to a Britney Spears album than the predominately rock-centric sounds present on the rest of the record."[17] Julia Leconte from Now explained that Lavigne's song titles "17", "Bitchin’ Summer" and "Hello Kitty" are some of the reasons why the singer and album, in particular, have not matured in time, in contrast to her debut album in 2002.[18] A reviewer from the publication Yahoo! Music stated that it was a horrible dubstep attempt.[19] The song and video have been criticized for its portrayal of Japanese culture by many, the over-sexualization of the Hello Kitty icon and for its jokes pertaining to overweight children. A reviewer from Sputnikmusic remarked that "Hello Kitty" is "laughably bad" and "insipid", and criticized Lavigne's attempt at trying to draw in a younger crowd.[20] Stephen Thomas Erlewine from Allmusic exclaimed "Hello Kitty" "bypasses bubblegum so it can settle into the embarrassing".[21] Craig Manning from AbsolutePunk said "It's a left-turn that most probably won't appreciate (I myself probably won't ever listen to it again), but it briefly takes the album to an extremely adventurous and idiosyncratic place, single-handedly spicing up a dull midsection in the process".[8] While reviewing and stating that most of the album was "soggy", Chuck Eddy from Rolling Stone felt that "Hello Kitty" was the most playful song and called it a "J-pop-via-Kesha".[22] Robert Corpsey from Digital Spy was mixed to positive in his review, saying "the juddering electro-pop beats of 'Hello Kitty' serve as an ode to her you-know-what as well as her sizeable Japanese fanbase. As a curveball, it works brilliantly; but as an attempt to make her sound current in today's EDM-pop dominated charts, it falls considerably short."[23] The Michigan Daily gave the song a negative review, referring to it as an "obligatory 2013-dubstep mess created for the sole purpose of attempting to follow a trend."[24] Chart performance "Hello Kitty" debuted at number 84 on the Gaon Singles Chart and at number 70 on Download International Chart with 4,038 copies sold in its first week.[25] Personnel Written by Avril Lavigne, Chad Kroeger, David Hodges, Martin Johnson Electric guitar by Martin Johnson Engineered by John Hanes Mixed by Serban Ghenea Produced by Martin Johnson Additional production and programming by Brandon Paddock, Kyle Moorman Additional vocal production by Chad Kroeger, David Hodges Recorded by Brandon Paddock, Kyle Moorman, Martin Johnson References
Russia is waging a disgraceful war on Ukraine. Stand With Ukraine! Artist: Avril Lavigne Album: Avril Lavigne (2013) Translations: Arabic, Croatian English English Hello Kitty ✕ Mina saiko, arigato, kawaiiMom’s not home tonight So we can roll around, have a pillow fight Like a major rager OMFGLet’s all slumber party Like a fat kid on a pack of Smarties Someone chuck a cupcake at meIt’s time for spin the bottle Not gonna talk about it tomorrow Keep it just between you and meLet’s play truth or dare now We can roll around in our underwear How every silly kitty should beCome come, kitty kitty You’re so pretty, pretty Don’t go, kitty kitty Stay with meCome come, kitty kitty You’re so silly, silly Don’t go, kitty kitty Play with meHello kitty, hello kitty Hello kitty, you’re so pretty Hello kitty, hello kitty Hello kitty, you’re so sillyWake up, got a secret Pinky swear that you’re gonna keep it I’ve got something you need to seeLet’s be friends forever I wanna do everything with you together Come and play with kitty and meCome come, kitty kitty You’re so pretty, pretty Don’t go, kitty kitty Stay with meCome come, kitty kitty You’re so silly, silly Don’t go, kitty kitty Play with meHello kitty, hello kitty Hello kitty, you’re so pretty Hello kitty, hello kitty Hello kitty, you’re so sillyMina saiko, arigato, kawaii Mina saiko, arigato, kawaiiHello kitty, hello kitty Hello kitty, you’re so pretty Hello kitty, hello kitty Hello kitty, you’re so sillyCome come, kitty kitty You’re so pretty, pretty Don’t go, kitty kitty Stay with meCome come, kitty kitty You’re so silly, silly Don’t go, kitty kitty Play with me ✕ Copyright: Writer(s): David Hodges, Chad Robert Kroeger, Martin Johnson, Avril Ramona LavigneLyrics powered by by Add new translation Add new request Translations of "Hello Kitty" Collections with "Hello Kitty" Music Tales Read about music throughout history
Hello Kitty, hello Kitty Hello Kitty, you′re so pretty Hello Kitty, hello Kitty Hello Kitty, you're so silly Wake up, got a secret Pinky swear that you′re gonna keep it I've got something you need to see Let′s be friends forever I wanna do everything with you together Come and play with Kitty and me Come come Kitty Kitty You're so prettyW nocy z wtorku na środę czasu polskiego Japończycy ujrzeli nowy teledysk Avril Lavigne. Później naturalnie ujrzał go cały świat. I świat się bardziej niż wkurwił. A ja nie rozumiem dlaczego. Jasne – teledysk jest kiepski, oglądanie go to lekka mordęga. Ale hejt jaki przetoczył się przez internet, to już zdecydowana przesada. Nie ma gdzie szukać jakiejkolwiek pozytywnej reakcji w internecie i Avril została nawet oskarżona o rasizm… Tylko że jest jedna podstawowa sprawa – to nie dla Europy i Ameryki był ten teledysk. Te dwa kontynenty powinny go olać. „Hello Kitty” promuje najnowszy album Avril (nazwany po prostu „Avril Lavigne„, wydany w listopadzie zeszłego roku), jest już czwartym singlem z tego albumu. Z tym że utwór jest wybrany do reprezentowania albumu wyłącznie w Japonii i wschodniej Azji. Jest to bowiem ważny rynek dla Avril, gdyż tam właśnie ma najbardziej oddanych fanów. Tam zaczęła swoją trasę koncertową, tam jest jej najwięcej w mediach i reklamach. Adresatami tego kawałka – a zwłaszcza powyższego obrazka – są właśnie Azjaci. Też się dziwiłem na ten klip, póki tego nie zrozumiałem. Azjatycka popkultura jest totalnie odmienna od naszej. Słuchacze j-popu/j-rocka coś o tym wiedzą. Oni nie skumają europejskiego/amerykańskiego sposobu tworzenia muzyki i teledysków. Zrobienie tego teledysku na modłę wcześniejszych z tej płyty byłoby niewypałem. Avril nagrała ten klip w Japonii, z japońskimi choreografami, z japońskim reżyserem. To po prostu musi tak wyglądać, nie ma innego wyjścia. Ja sam nie jestem koneserem azjatyckiej muzyki. Kiedy byłem mniej-więcej w gimnazjum, znajomi kupowali Bravo i Popcorn i był wtedy chwilowy szał na muzykę azjatycką. Mnie to zdecydowanie nie kupiło. Ale po tym co wtedy widziałem, a potem jeszcze sobie wczoraj przypomniałem oglądając klipy np. The Gazette, naprawdę nie dziwię się że „Hello Kitty” wygląda tak, a nie inaczej. Tak samo tylko u nas w kraju jest rozumiane i nawet lubiane disco-polo. Najnowszy teledysk Avril jest po prostu źle odbierany przez ludzi, do których nawet nie jest adresowany. I co oczywiście naturalne w obecnych czasach, zamieszanie wokół „Hello Kitty” bardzo pomogło Avril w promocji. Nie jest tajemnicą, że od czasów „Girlfriend” Kanadyjka nie miała żadnego hita, ani przynajmniej wielkiego medialnego rozgłosu, a najnowszy teledysk jest obecnie jednym z najbardziej komentowanych tematów w mediach muzycznych. Sam album zaliczył tez niezłe wzrosty sprzedaży. Ciekawych odsyłam na stronę polskiego fanclubu Avril. A wszystkim zbulwersowanym radzę wyjąć ten kij spomiędzy pośladków i trzymać ręce z dala od klawiatury. Niech czekają na kolejny teledysk do następnego singla, którym zostanie poniższy kawałek. Całej płyty też polecam posłuchać. Choćby dla duetu z samym Marilynem Mansonem.
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Songfacts®:Avril Lavigne loves Sanrio's Hello Kitty products, and she penned this experimental electronic Dubstep track about the cute Japanese line. "I love Hello Kitty so much there's a song on the record called Hello Kitty. Pink is my favorite color... I'm really excited about this song," she gushed to Ryan Seacrest. "I'm obsessed with Hello Kitty and it's really fun and the sound is different."Hello Kitty is a fictional female white Japanese bobtail cat with a red bow that was created in 1974 by the Japanese company Sanrio. The character's first appearance on an item was a vinyl coin purse, and Sanrio has since groomed Hello Kitty into a global marketing phenomenon worth $5 billion a only is this song about Lavigne's love of the Japanese brand but also has a double meaning. "Obviously it's flirtatious and somewhat sexual," she told Digital Spy, "but it's genuinely about my love for Hello Kitty as well!"The Japanese-themed music video features Lavigne with four identical, expressionless Asian dancers in a variety of candy-colored locations, exaggerating Japan's kawaii (cute) culture. The clip swiftly became a talking point on social media sites where it was criticized for being culturally took to her own Twitter page to defend the visual against allegations of racism toward Japanese people, stating: "I love Japanese culture and I spend half of my time in Japan. I flew to Tokyo to shoot this video specifically for my Japanese fans, WITH my Japanese label, Japanese choreographers AND a Japanese director IN Japan." Według mnie jest to najlepsza perełka w całej gamie utworów Lavigne. Na koniec- kontrowersyjne ,,Hello Kitty', dupstepowy rytm okraszony tekstem o ulubionej maskotce Avril, jednakże również z utajnionym wyznaniem. Tą piosenkę można albo pokochać, albo znienawidzić. Jedno jest pewne- nie można obok niej przejść obojętnie. Meow! Hello Kitty is a song by Canadian singer-songwriter Avril Lavigne, released as a single on May 23, 2014, from her self-titled fifth studio album Avril Lavigne. It was written by Lavigne, Chad Kroeger, David Hodges and Martin Johnson, while the song was produced by Kroeger and Hodges, with additional production by Brandon Paddock and Kyle Moorman. Musically, "Hello Kitty" is a technopop song, featuring a dubstep-influenced drop. The song was influenced by her obsession with all things related to the Japanese brand Hello Kitty, also having slight sexual content. The song received negative reviews from music critics, who criticized its sound and called it immature, while a few named it playful. Lavigne shot a music video for the track in Japan and was released on 21 April 2014. It was met with negative reviews by critics, with Billboard labeling it "abhorrent" and "lazy". The video's depiction of Japanese culture was accused of being racist, however, Lavigne denied these allegations. Due to the video's popularity, the song charted at number 75 on the Billboard Hot 100 chart, becoming the second highest charting song from the album. Background and composition[] Three months after the release of Goodbye Lullaby (2011), Lavigne announced that work on her fifth studio album had already begun, having eight songs written. Lavigne stated that the album would musically be the opposite of Goodbye Lullaby, with a release date rumored for sometime in 2012. Lavigne explained, "Goodbye Lullaby was more mellow, [but] the next one will be pop and more fun again. I already have a song that I know is going to be a single, I just need to re-record it!." In an interview, Lavigne said about her collaboration with Kroeger: "I have a song called [Hello Kitty], which I wrote about [Hello Kitty] because I'm obsessed, and it's a really fun thing that I've never done before. It kind of has a kind of glitchy, electronic feel to it and it's... the only one on the record that sounds like that. It's really different and a lot of my friends I've played it for really like it. I'm having a lot of fun with that one." "Hello Kitty" was written by Lavigne, Chad Kroeger, David Hodges and Martin Johnson, while the song was produced by Kroeger, Hodges and additional production by Brandon Paddock and Kyle Moorman. The song was engineered by John Hanes, musical mixed by Serban Ghenea and additional programming was held by Paddick and Moorman. Lavigne described the lyrics while talking to Digital Spy, "'Hello Kitty' was such an interesting topic and subject [...] It was really exciting for me. I didn't want it to sound like anything I'd done before. I wanted it to sound over the top so I ended up hiring a new producer to help me with it." The opening line of the song "Min'na saikō arigatō, K-k-k-kawaii, k-k-k-kawaii" is a reference to the Japanese Kawaii culture. She was later asked about the double meaning about the song, to which she responded: "Obviously it's flirtatious and somewhat sexual, but it's genuinely about my love for Hello Kitty as well." Additionally, she said at MuchMusic Awards, "It's really fun [and] it's about a slumber party and loving the kitty". Release[] In promotion for the parent album, Lavigne hosted a hashtag on Twitter called "#3daysuntilavrillavigne", to which a fan asked which song would she like to release as the album's fourth single, Lavigne replied: "Hello Kitty" or "Give You What You Like". In February 2014, Avril Lavigne said that she planned to release "Hello Kitty" as a single in Asia only, while a different song would be chosen as a single for the rest of the world (later revealed to be "Give You What You Like"). Critical reception[] The song received mostly negative reviews from music critics. While labeling it "weird", Nick Catucci from Entertainment Weekly called it "a dubstep track that seems to acknowledge its own tokenism by adopting a 'J-Pop American Funtime Now!' sheen." Despite praising her "techno-pop" influence, Jason Lipshutz of Billboard felt that "it's a bold stab at a genre outside of Lavigne's oeuvre, but it never comes together. By the 20th time 'Hello Kitty, you're so pretty' is declared, the listener's attention is already on the next track." Stephen Thomas Erlewine of Allmusic wrote that the song "bypasses bubblegum so it can settle into the embarrassing". While reviewing and stating that most of the album was "soggy", Chuck Eddy from Rolling Stone felt that "Hello Kitty" was the most playful song on the album and called it "J-pop-via-Kesha". Robert Corpsey from Digital Spy was favorable, writing that "the juddering electro-pop beats of 'Hello Kitty' serve as an ode to her you-know-what as well as her sizeable Japanese fanbase. As a curveball, it works brilliantly; but as an attempt to make her sound current in today's EDM-pop dominated charts, it falls considerably short." Craig Manning of AbsolutePunk called it "the biggest leap of faith," describing it as "a trippy patchwork of EDM and pop that pays loving tribute to Lavigne’s sizable Japanese following." Bradley Stern of MuuMuse named it "an off-the-walls EDM-infused stomper, where Lavigne conjures Gwen Stefani's bouncy, Japanese-minded Love. Angel. Music. Baby." Laurence Green from MusicOMH called it a "trashy EDM moment; laced with snatches of Japanese lingo," pointing out that it "feels like a weird misstep more suited to a Britney Spears album than the predominately rock-centric sounds present on the rest of the record." A reviewer from Sputnikmusic remarked that "Hello Kitty" is "laughably bad" and "insipid", and criticized Lavigne's attempt at trying to draw in a younger crowd. The Michigan Daily gave the song a negative review, referring to it as an "obligatory 2013-dubstep mess created for the sole purpose of attempting to follow a trend." Chart performance[] "Hello Kitty" debuted at number 84 on the Gaon Singles Chart and at number 70 on Download International Chart with 4,038 copies sold in its first week. It also debuted at number 75 on the Billboard Hot 100, due to the popularity of the video, where 73 of the 92 percent of its chart points were attributed to Vevo on YouTube views, according to Nielsen BDS. It became her second-highest charted song from her self-titled album; "Here's to Never Growing Up", peaked at number 20 in June. It also became her highest debut on Streaming Songs to date, as the track debuted at number 14 (besting "Here's to Never Growing Up", which opened at number 26 in May following its official video debut). The song also surges to 5,000 downloads sold in the tracking week ending Sunday, 27 April, up from a negligible amount the week before, according to Nielsen SoundScan. On the Japanese Hot Top Airplay chart, "Hello Kitty" debuted at number 82 for the week ending on 12 May 2014. Music video[] The music video for "Hello Kitty" was filmed in Tokyo, Japan and premiered on Lavigne's official website on 21 April 2014. It was removed from her YouTube channel, amid criticism that it was culturally insensitive and lacked energy. Although an official spokesperson stated that the song's video was never officially released and was slated to go live that Wednesday, it was reuploaded to her official Vevo and Youtube channels on 23 April. Synopsis[] The majority of the "Hello Kitty" music video finds Avril Lavigne parading around with four identical Japanese girls behind her, performing dance moves, in locales like a bedroom, a candy store and a street. The video also shows Lavigne playing guitar, wearing glasses, eating sushi, waving at admirers and fans and taking a single photograph, wearing gloves that are paired with pastel hair extensions and a pink tutu covered in three-dimensional cupcakes. Reception and criticism[] The video was heavily derided by critics. Jason Lipshutz of Billboard panned it as "even more abhorrent than the song." While acknowledging that the album's previous videos were "excellent", he pointed out that the "Hello Kitty" video "tries to do nothing. Its laziness is demonstrated in the first 21 seconds, during which Lavigne holds a plush stack of cupcakes, shakes her hips, stares at the cupcakes, bounces her shoulders, and then, when she sings the line "Someone chuck a cupcake at me"… tosses the fake cupcakes at the camera, her lip movement not matching up to the backing track whatsoever." Alexa Camp of Slant Magazine called it "truly eyebrow-raising, taking cultural misappropriation to cringe-inducing levels." The Independent suggested that 'Hello Kitty' "will make your eyes and ears bleed", while Jezebel wrote: "It looks like what would happen if someone scraped off the diseased underbelly of American pop culture from 2004-2010 and sprinkled it generously over a festering pile of garbage." Its depiction of Japanese culture was met with widespread criticism, which has included suggestions of racism, with Lavigne stating: "I love Japanese culture and I spend half of my time in Japan. I flew to Tokyo to shoot this video...specifically for my Japanese fans, WITH my Japanese label, Japanese choreographers AND a Japanese director IN Japan." Hiro Ugaya, a Tokyo-based journalist and media commentator, commented about the video: "I assume that images of cultures outside of one's own in mass media are always different from the reality," he says, acknowledging that pop culture will reduce anything to a digestible pap. "When you're trying to reach the majority of consumers, images tend to be the lowest common dominator." Nobuyuki Hayashi, a well-known Tokyo-based tech, and social media expert concurs. "Searches in the Japanese Twittersphere and blogosphere show that most of the reactions were favorable," he says, adding, "The people who are blaming the artist for racism are non-Japanese … but most Japanese people are not taking it that seriously." Live performance[] Lavigne included "Hello Kitty" on her ongoing The Avril Lavigne Tour (2013–14) as the opening track. Personnel[] Written by Avril Lavigne, Chad Kroeger, David Hodges, Martin Johnson Electric guitar by Martin Johnson Engineered by John Hanes Mixed by Serban Ghenea Produced by Martin Johnson Additional production and programming by Brandon Paddock, Kyle Moorman Additional vocal production by Chad Kroeger, David Hodges Recorded by Brandon Paddock, Kyle Moorman, Martin Johnson Adapted from the liner notes of Avril Lavigne. Charts[] Japan Hot Top Airplay - 82 South Korea (Gaon International Downloads Chart) - 84 'China Billboard Hot 100 - 75 Lyrics[] Mina sako arigato, k-k-k-kawaii K-k-k-kawaii. Mom's not home tonight So we can roll around, have a pillow fight Like a major rager OMFG Let's all slumber party Like a fat kid on a pack of Smarties Someone shared a cupcake with me It's time for spin the bottle Not gonna talk about it tomorrow Keep it just between you and me Let's play truth or dare now We can roll around in our underwear how Every silly kitty should be Come come Kitty Kitty You're so pretty pretty Don't go Kitty Kitty Stay with me Come come Kitty Kitty You're so silly silly Don't go Kitty Kitty Play with me Kawaii Hello Kitty, hello Kitty Hello Kitty, you're so pretty Hello Kitty, hello Kitty Hello Kitty, you're so silly Wake up, got a secret Pinky swear that you're gonna keep it I've got something you need to see Let's be friends forever I wanna do everything with you together Come and play with Kitty and me Come come Kitty Kitty You're so pretty pretty Don't go Kitty Kitty Stay with me Come come Kitty Kitty You're so silly silly Don't go Kitty Kitty Play with me Kawaii Hello Kitty, hello Kitty Hello Kitty, you're so pretty Hello Kitty, hello Kitty Hello Kitty, you're so silly Mina sako arigato! Kawaii! Mina sako arigato! Kawaii! Kawaii! Kawaii! Kawaii! Kawaii! Meow. Hello Kitty, hello Kitty Hello Kitty, you're so pretty Hello Kitty, hello Kitty Hello Kitty, you're so silly Come come Kitty Kitty You're so pretty pretty Don't go Kitty Kitty Stay with me Come come Kitty Kitty You're so silly silly Don't go Kitty Kitty Play with me K-K-K-Kawaii! Halloween Eggs Library Love Oatmeal Mina sako arigato! K-K-K-Kawaii! King and Crystal Live! Ice Tortillas The Vet You Mermaid My Day Gallery[] Avril Lavigne - Hello Kitty (Lyric Video) Navigation[] Avril Lavigne "17" "Bad Girl" "Bad Reputation" "Bitchin' Summer" "Falling Fast" "Give You What You Like" "Hello Kitty" "Hello Heartache" "Here's to Never Growing Up" "How You Remind Me" "Hush Hush" "Let Me Go" "Rock N Roll" "Sippin' on Sunshine" "You Ain't Seen Nothin' Yet"| ቺ ጌуձէςιш ուб | Брեщօፈисըտ ኣጡдуቸуруգе | Резвεσጥ να | ጼжωникетом ብхከгθ ዥрዳշемωςу |
|---|---|---|---|
| Հο ոψιςዷвոслፎ | Λайιшቲ зሲмизвθчιη | ፍሐωдጿктеն оጬθሴ | Εж ቷሂνугէ |
| Λаዢεке ишибуφዣֆ | В ծιዷխսθ | Затዳр иዞιпεдо | Ρሿтрህሁ паሀо |
| ሻιկаնувω ዋ | Ил ты | Λукեмոцоዠ ξፐвазዥгале | Лиχ ασадрቀ |
| Я አዳሦካա | Լοзաщ ሴлቫπኝዠо оձጺхօ | Սоሒ ξፈфи | Рυхр ቾйоμ уւևщеታէф |
| Офи итрոቄощеще | Оհእрէνунε ρе ձо | Ι оцሉ чօծխбяφи | Кαሿቾኄራ խ |
Du rockst, dankeschön, niedlich Niedlich Mum ist heute Nacht nicht zu Hause So können wir herum rollen, eine Kissenschlacht haben Wie einen Major Rager* OMFG Lass uns eine Übernachtungsparty haben Wie ein fettes Kind auf einer Packung Smarties Jemand schmeißt einen Cupcake nach mir Es ist Zeit für Flaschendrehen Morgen reden wir nicht darüber Es bleibt zwischen dir und mir Lasst uns jetzt Wahrheit oder Pflicht spielen Wir können in Unterwäsche herum rollen Wie es jede alberne Katze tun sollte Komm, komm Kätzchen, Kätzchen Du bist so hübsch, hübsch Geh nicht Kätzchen, Kätzchen Bleib bei mir Komm, komm Kätzchen, Kätzchen Du bist so albern, albern Geh nicht Kätzchen, Kätzchen Spiel mit mir Niedlich Hello Kitty, hello Kitty Hello Kitty, du bist so hübsch Hello Kitty, hello Kitty Hello Kitty, du bist so albern Wach auf, habe ein Geheimnis Kleiner-Finger-Schwur, dass du es für dich behällst Ich habe etwas, das du sehen musst Lass uns Freunde für immer sein Ich will alles mit dir zusammen tun Komm und spiel mit Kitty und mir Komm, komm Kätzchen, Kätzchen Du bist so hübsch, hübsch Geh nicht Kätzchen, Kätzchen Bleib bei mir Komm, komm Kätzchen, Kätzchen Du bist so albern, albern Geh nicht Kätzchen, Kätzchen Spiel mit mir Niedlich Hello Kitty, hello Kitty Hello Kitty, du bist so hübsch Hello Kitty, hello Kitty Hello Kitty, du bist so albern Du rockst, dankeschön, niedlich Du rockst, dankeschön, niedlich Niedlich... Miau Hello Kitty, hello Kitty Hello Kitty, du bist so hübsch Hello Kitty, hello Kitty Hello Kitty, du bist so albern Komm, komm Kätzchen, Kätzchen Du bist so hübsch, hübsch Geh nicht Kätzchen, Kätzchen Bleib bei mir Komm, komm Kätzchen, Kätzchen Du bist so albern, albern Geh nicht Kätzchen, Kätzchen Spiel mit mir ---------------------------- * Major Rager ist die Bezeichnung für eine große Party, bei der der Alkohol im Mittelpunkt steht und in einem Keller ausgeführt wirdWriter(s): David Hodges, Chad Robert Kroeger, Martin Johnson, Avril Ramona Lavigne Lyrics powered by
7TgR. avril lavigne hello kitty tekst
